However, in an unanticipated twist in the final pages, the discursive medical framework of her narrative collapses, exposing the precariousness of the literary and scientific constructions of hysteria and thus leading readers to rethink Peyrebrune's traditionalist views. Peyrebrune positions these male-authored discourses alongside a concurrent ridicule of Hélione's aspirations as a writer of decadent literature. In her depiction of Hélione, a fictionalized version of Rachilde, she borrows from contemporary medical discourses on hysteria and suggests that her heroine's true fulfillment can only be realized through motherhood. In 1886, Georges de Peyrebrune (1841–1917) published the novella Une décadente, a scarcely veiled depiction – and biting critique – of Rachilde (1860–1953) and her unconventional lifestyle.
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